Here, a boundary is not merely a dividing line, but a condition for space to exist—a line drawn that allows emptiness to be perceived. As an architect, I am less concerned with producing usable architecture than with returning to a fundamental question: when function and narrative are removed, can form alone still establish space?
The material nature of ceramics—both fragile and self-supporting—keeps these structures suspended between stability and collapse. They resemble unnamed architectural prototypes or residual spatial traces, lingering between form and emptiness.